Writing sports stories
While many of
you may not be interested in sports stories, I suggest rethinking that
position. Some of journalism’s best writing appears on the sports pages of
major newspapers and magazines.
The sports pages
are filled with stories about people attempting to overcome the odds and do
things others cannot do. There is drama, conflict, struggle, agony, ecstasy,
etc. in these stories. The sports pages are filled with human drama that rivals
the best soap opera, the best reality TV program or the best drama you’ve ever
seen. The best thing about these sports
dramas is they’re real and they focus on real people doing amazing things.
In addition to
the human spectacle of sports, those who write about these events do so in a
unique way. Sports stories have neither
a hard news lead nor a feature lead; they have both.
Most sports
stories begin with a feature lead. This lead usually starts off telling
something about one of the people involved in the game, or the turning point in
the game, or some other unusual aspect to the game. Here are some examples from last year’s
sports page:
Clinton
Portis celebrated the apparent winning touchdown with a leap into the end zone,
capping a 43-yard reception that gave the Washington Redskins a one-point lead
over the
Green Bay Packers with 2 minutes 35 second to play at Landover, Md.
Green Bay Packers with 2 minutes 35 second to play at Landover, Md.
Oops. Scratch that. Flag on the play.
Receiver
James Thrash was called for illegal motion, a penalty that Thrash didn’t
understand and one that Washington Coach Joe Gibbs called “an absolute
mystery.”
The
Packers had a different feeling: sheer relief.
Al
Harris intercepted a pass on the next play, and the Packers drove for an
insurance touchdown to cap a 28-14 victory Sunday.
In
sports leads, you’ll see that you don’t know who won the game until later in
the story. The first paragraph doesn’t
tell you the score of the game or who won the game. Therefore, this is a feature lead that focuses
on something interesting and grabs your attention. The hard news lead—who won—is usually in the
third or the fourth paragraph of today’s sports stories. Why? Because the
sports fan knows who won the game by the time he or she reads the next
morning’s newspaper. With all of the
cable, satellite and other outlets available to the sports fan, he or she has
probably either seen the game or seen the highlights before picking up the
newspaper. So why read the newspaper?
Good newspaper
sports writers know this about sports fans and they know that they must give
the sports fan something new, something they didn’t see last night. This is why today’s newspaper sports writers
try to find a different angle or do whatever they can to give their readers a
unique perspective.
So if you write
a sports story, think of beginning it with a human element to the event.
Oftentimes a turning point in the game can be used as your feature lead block
to the story. Or perhaps an injury is the lead block to the story. Or maybe the
fact that the star player just flew in from watching his wife give birth to their
first child and he was so inspired that he had a career-high scoring game is
your lead block to the story. It’s stuff like that, the human stories behind
the people who play the games, that make the sports pages come alive.
Once you’ve
grabbed the reader, then you write a basic inverted pyramid news story. You
give information, quotes, information, etc. The only real difference is you
also make sure that you include a lot of statistics in the body of your story
and include the names of as many players as possible.
To cover sports
well, you must know something about the game being played. You can’t write
about it or even know what to write about if you don’t understand the game. So
make sure you know the nuances of the game, the strategies involved and the
basic rules.
ELEMENTS OF INTEREST IN SPORTS STORIES
1. Significance
a. Is a championship at stake?
b. Impact of the result on season records
of those playing as well as all-time records.
c. Are the contestants old rivals?
d. Will the outcome suggest probable
strength against future opponents?
2. Probable outcome
a. Relative weight and experience of the
contestants.
b. Ability as demonstrated against other
opponents, especially common ones.
c. New plays, tactics.
d. New players, return of injured players.
e. Former contests between the two.
f. Recent records, slumps, etc.
3. How the victory was won.
a. The winning play, if the score was
close.
b. The style of play of both the winner
and the loser.
c. Costly errors or mistakes.
d. Decisive moment in the game.
4. Important plays
a. How each score was made.
b. Spectacular catches, etc.
c. The result of hunches.
d. Penalties, fouls, etc.
e. Disputed umpire or referee decisions.
5. Individual records, stars, etc.
a. Records broken.
b. High scores.
c. Players who came through when needed.
d. Teamwork.
e. Players not up to usual form.
6. Injuries.
7. The occasion or the crowd.
a. Size of crowd; a record?
b. An annual event?
c. Enthusiasm, riots, demonstrations, etc.
8. The weather
a. Condition of track and playing field.
b. Effect of heat or cold.
c. Effect of sun on outfielders.
d. Delays due to rain.
e. Which side was more impacted and why?
9. Box score, summary and statistics
A FEW SUGGESTIONS FOR SPORTS WRITERS
1. Use as many names in your stories as possible.
2. Place special emphasis on the future.
3. Edit your stories carefully before they are published; make
sure every word counts; be concise.
4. Keep a file of statistics and records and consult them
frequently.
5. Know the rules of the sport.
6. Know the jargon of the sport.
7. Be absolutely factually correct.
8. Stress action in your stories in both content and in how you
write your stories. Use relatively short, crisp sentences. Avoid long,
everything-but-the-kitchen-sink type sentences.
9. Study sports pages and the sports stories of professional
writers. The best way to learn is by reading the work of others. Do not steal
someone else’s style, but study it to see how you can improve yours.
10. Do not overplay the hero or the star; be alert to the good
performances by others who may not be quite as well known and emphasize these
as much as possible.
11. Avoid discussing a team impersonally. Remember that all teams
are made up of individuals.
12. Remember that sports fans are gluttons for statistics.
13. Do not be afraid to criticize, when necessary, but also do so
with caution and with knowledge about what you are doing.
14. Do not become a cheerleader for the home team. Do not become
friends with the players. Retain your neutrality and objectivity.